The RTKFT team has made these avatars metaverse ready by attaching a Clone meta vault allowing the users to access the 3D avatars across all platforms. These were sold in two formats- a presale and a public sale. A total of 20,000 Clone X avatars were released in November 2021. The project is focused on developing avatars that are high-quality and well-equipped for the metaverse too. The cap was kept at 3 avatars per wallet for the public sale. The collection was launched through a Dutch Auction, where prices of these collectibles went down until all of them were sold. By utilizing Daz 3D’s PFP utility kit, RTFKT has pulled off creating a diverse set of collectibles.Ĭlone X has been able to keep the hype around it quite well-placed since its launch. Takashi’s design language brings in a distinct personality to these collectibles and gives them special personalities like eyes, mouth, clothes, etc, that are defined on the blockchain.Īnother primary collaborator in the Clone X project is Daz 3D. As mentioned above, these collectibles were designed by well-renowned Japanese artist Takashi Murakami.
#CLONE X RTFKT PORTABLE#
The Clone X NFTs from the house of RTKFT is the first portable NFTs ever designed. The Clone X NFT collections were developed keeping one thing in mind- take your avatar, wherever you go.
So, will Clone X be able to clone its success down the line in 2022? Let’s find out more about the collection, its price prediction for the year, and the curiosity behind its value. In January 2022, more than 2,700 buyers engaged with Clone X, leading to a $165 million in sales volume. And it isn’t just about the collection is distinctive, but it’s been equally popular as well. The Clone X collection has been designed in collaboration with Takashi Murakami, who brought in his traditional art tonality to the final set of collectibles. One such project is- Clone X from the house of digitized sneaker manufacturer RTFKT (pronounced as ‘artifact’). With brands and various NFT projects collaborating with renowned artists, the traditional art form is staying put but is getting a digital makeover. There have been certain inhibitions about traditional art forms fading into oblivion, with the onset of digital art forms and styles taking the front seat.īut as the Non-Fungible Token ecosystem world evolves, and newer projects come in, those inhibitions certainly don’t seem true.
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